Updated on March 25, 2026
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The contralto-turned-conductor has been appointed by Her Royal Highness the Princess of Hanover to lead the Monegasque ensemble and plan the programme for the next four seasons.
She possesses the talent and commanding presence that have established her as one of the most emblematic figures in female orchestral conducting.
Trained in piano, bassoon, and cello, the contralto Nathalie Stutzmann, now a conductor, was appointed by H.R.H. the Princess of Hanover to succeed Kazuki Yamada. Born in France and of Swiss nationality, she will be the first woman to hold this position, commencing on 1 September 2026.
Principal guest conductor of the Philadelphia Orchestra from 2021 to 2024 and recently renewed as musical director of the Atlanta Symphony Orchestra for three years, Nathalie Stutzmann has frequently been a guest conductor in Monaco. "The first time I conducted an opera was L’Elixir d’Amour in 2014, at the invitation of Jean-Louis Grinda. It was also the first time a woman had conducted the Monte-Carlo Philharmonic Orchestra. I was subsequently promoted to the rank of Officer in the Order of Cultural Merit of the Principality of Monaco," recalls the artist, who later conducted Tannhäuser in 2017 before returning several times to Monaco, this time in the symphonic repertoire. Stutzmann was seeking a conducting post in Europe; she has now been appointed here for four years at the helm of an orchestra, which she perceives as having "a strong personality" and a "genuine willingness to work to share beauty".
©Daniele Ratti

Between conducting engagements in Atlanta and Monaco, the conductor will have a very busy schedule. "Conducting major international orchestras is immensely educational and helps one take better care of one's own orchestra. I wish to further elevate the profile of the Monte-Carlo Philharmonic Orchestra, both in Monaco and internationally," continues the future director. An exclusive artist with Warner Classics & Erato, she aims to develop live audiovisual broadcasts. Nathalie Stutzmann also mentions that "the connections between ballet, opera, and the Monte-Carlo Philharmonic Orchestra offer opportunities to broaden each repertoire and attract new audiences."
In the Principality, this specialist in great German romanticism, who is fond of the French repertoire and Russian music, returns to her mother tongue: "I try not to talk too much in rehearsal, but you see this pink 'hope' sky, crossed by the sadness of a low cloud… Being able to tell the orchestra that I would like the music to sound like this is a chance. I have rarely conducted in French, and I will be able to share this poetry with the Monte Carlo Philharmonic Orchestra." And she acknowledges, on a more personal note: "Rather than rushing around with suitcases, it is comforting to know that you can return home nearby in the evening, after the concerts."
©OPMC Communication

The appointment of Nathalie Stutzmann marks a new dynamic for the Monte-Carlo Philharmonic Orchestra, driven by an ambitious artistic vision open to the world. Balancing musical excellence with a strong commitment to sharing and transmission, this collaboration promises to be a true driver of cultural influence for the Principality.
Concerts are held notably at the Auditorium Rainier III, the Opéra de Monte-Carlo, the Grimaldi Forum, as well as at Saint-Charles Church, depending on the programme.
The orchestra offers a varied repertoire, ranging from major classical works to contemporary compositions, with a rich and accessible programme.
Yes, the orchestra is regularly invited to perform internationally and takes part in tours in major concert halls around the world.
Information regarding ticketing and the programme is available on official platforms, notably on the Monte-Carlo Philharmonic Orchestra website:
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